Farewell to the Sherlock Holmes of Medicine

If you've followed House on Fox Television at any point over the past 9 seasons, you are probably aware that the central character is one of the most brilliant, nihilistic, misogynistic and just plain rotten fellows to ever grace the airwaves.  Personally, I think Dr. Gregory House suffers from a form of Asperger's syndrome, as in nearly a decade he has yet to form a single normal relationship with another human being.  The closest he comes to having a friend is with long suffering fellow doctor James Wilson, who is now making Dr. House miserable by refusing treatment for terminal cancer.

House is played to perfection by British actor Hugh Laurie, who has been nominated year after year for Emmy Awards but has so far only won Golden Globes.  In 2012 he will no doubt be joined in this honor by Robert Sean Leonard (Wilson) whose suffering as an oncologist who now faces cancer himself has been heartbreaking and an agony to watch.  I have always loved Dr. Wilson best, as he was the Ying to House's Yang.  While Wilson provided sweet balance and kindness...exactly the kind of doctor you'd want at your bedside... House was the mad genius who always saved the patient. No matter how dire or obscure the diagnosis, House and his team found the solution.  Alas the sad doctor could never rejoice from his medical victories.  At the end of the day, House would always be alone, wrapped in pain and whiskey, torturing a few notes of a blues song from his piano keys.

With one episode left to go before the show ends forever, I hope Dr. House and Wilson can find some sort of peace from their enduring friendship.  It really has been one of the great "bromances" on television...right up there with Starsky and Hutch, Barney and Fred, and (my personal favorite) Spock and Kirk. I'll be there next Monday as their saga draws to a close.  Will you?  Here's a wonderful video montage of House and Wilson as we near the end.

Rock and Roll Hall of Fame 2012: An HBO Event

It seems only fitting that we give a heads up for the 2012 Rock and Roll Hall of Fame induction ceremony today. This is the 27th annual event to honor those who have made sure that rock and roll will never die. And it feels more important and relevant than ever, as this week has seen the passing of two giants in the music business; American Bandstand creator Dick Clark and Levon Helm, drummer and vocalist for The Band, one of the foremost iconic rock bands from the 60's. Both were legends in their own way. Dick Clark built a broadcast empire that lasted for decades and made what was once a dangerous new music genre (rock) into a global mainstream art form. Levon Helm had an unforgettable down home voice that gave an authentic American sound to such rock anthems as The Weight and The Night They Drove Dixie Down. He also went on to a great film career as a character actor (Coal Miner's Daughter and The Right Stuff) after The Band broke up in 1976. Anyone who wants to understand Levon's importance in the rock music world can watch The Last Waltz, the Martin Scorsese film about The Band's final concert which is considered the finest rock documentary of all time. I can say that with absolute authority, since I've watched it myself about fifty times since it was released over 30 years ago.

This year's Rock and Roll Hall of Fame induction will honor artists who are still with us (Guns and Roses, Red Hot Chili Peppers, Beastie Boys, Donovan) as well as those who sadly are not (Laura Nyro). Presenters will include Bette Midler, Carole King, Robbie Robertson, Chris Rock and Green Day.

The 2012 Rock and Roll Hall of Fame induction will air on HBO May 5th (Saturday) at 9pm. It will feature the entire ceremony taped earlier at the official museum of rock in Cleveland Ohio.

We'll have more on Dick Clark in future posts as The Flaming Nose must recognize his enormous influence on television. For now, let's remember Levon Helm with this video from The Last Waltz. Levon is on drums, Robbie Robertson on guitar. The two had been estranged for many years, but reunited and buried the hatchet a few days ago before Levon passed away on April 19, 2012. I'm glad that happened, as I love and admire them both.

Smash! The Return of the Blond Bombshell

A few months ago, the new Broadway musical drama Smash premiered on NBC, causing me to immediately cycle through Jane's Sad Stages of a New Television Series. These steps are similar to the famous Kubler-Ross stages of grief, except it's more like the stages a show goes through before the network cancels it.

• Stage 1: Best pilot I’ve ever seen. I laughed…I cried. Sheer genius.
• Stage 2: Why do I feel like the network is trying to manipulate my feelings for the characters? Why do I secretly hate Katherine McPhee? Whatever, the dance numbers still sizzle and love that NYC venue.
• Stage 3: Thank God for DVR and fast forward. Reading Vanity Fair through most of the episodes. Angelica Houston rocks though…I’ll look up from my magazine when she comes on.
• Stage 4: Oh is that still on the air? (this is the point where I usually regret the glowing, gushing blog post I wrote when it was still hot)
• Stage 5: Pull the plug, straight to the failed TV boneyard. Or worse…a 4^th tier cable network like ION.

Smash is the story about the desperate people who want to make it on Broadway...as well as those who love and sometimes sort of hate them. It takes place in NYC (naturally) and it's about a stage show depicting the life of Marilyn Monroe. The characters are mostly believable and interesting. Karen (the innocent from Iowa played by Katherine McPhee) and Ivy (experienced but vulnerable played by Megan Hilty) are competing for the role of Marilyn while Tom (Christian Borle) the obligatory gay guy and Julia (Debra Messing) are featured as a song writing duo. The most compelling character so far is played by Academy Award winning actress Angelica Houston. She's the producer with a nasty ex-husband and a cute Irish bartender boyfriend. And although she doesn't appear in any of the snazzy musical numbers, I have to always put my magazine down when she joins a scene.

One thing that Smash does very well is to cleverly incorporate celebrity guest stars into the plot. Bernadette Peters appeared several weeks ago as "Mommy Dearest" to poor Ivy, who pouted fetchingly whenever her viperous mega star mother was on the set. This week's episode featured Uma Thurman as the latest actress to try to slither into Marilyn's sequined skin. She started out as a disaster (can't sing!) but if you stick around until the end of the episode, Uma morphs into an amazing version of the great MM. I can't fault NBC's production values on this series. They've spared no expense with the sets, the casting and the location. I do wish they'd fix that twinkly background music underneath the dialogue though, it's annoying.

Most of the musical numbers have been top notch in Smash, whether they are part of the faux broadway show or contemporary pop that fits with the story line. The latter formed a fantastic high energy number a few weeks ago when rivals Karen and Ivy launched into a tipsy cover of Rihanna's "I'll Drink to That" in Times Square. Street musicians accompanied them and it was a true New York City moment of joy. When I saw it, I had to turn my TV Stages dial back up to #1.

Have you watched "Smash" yet? Do you like it as much as "Glee"? Which characters are your favorites? And....is anyone ever going to be able to play a proper Marilyn on the big stage?

Thanks for Nothing -- ABC Takes "Titanic" Down to the Bottom Again, 100 Years After the Historic Sinking

When I said in a previous post that ABC's scheduling of the four-hour miniseries Titanic was "weird"...well, what I meant to say was that it was wrong.  Just plain wrong.  Clearly the network thought enough of the project over a year ago to sign on to co-produce and co-finance the Julian
"Downton Abbey" Fellowes-written television epic with Britain's ITV, Australia's Channel Seven and other international broadcasters, but they threw it away through bad scheduling.  The way ABC handled Titanic was an epic fail, and they ended up squandering what should have been a successful programming stunt.  How often do you get the chance to commemorate the 100th Anniversary of the most catastrophic maritime disaster ever, one that has never left the hearts and minds of the world?  How could ABC have taken that precious moment in time and essentially thrown it away?

To recap the results, ABC scheduled the first three hours of the four hour Titanic on Saturday night, with the final one hour held over to Sunday evening.  ABC pulled in a 0.8 rating with just slightly over four million viewers for Saturday's three hours, and a 0.9 and about the same four million for Sunday's one hour conclusion.  Compare that to what the hoary Easter movie perennial The Ten Commandments pulled in on Saturday, April 7th -- TTC got a 1.6 rating and pulled in almost seven million viewers for its airing from 7pm - 11:44pm.  It's only taken 2000 years of Christianity to ensure ABC that kind of number; let's also not forget that it's an Easter tradition and viewers know exactly what they're getting.  Presold to the max.  Obviously viewers can be found on Saturday night, but it takes a religious experience to get them there.

On this 100th Anniversary of the Sinking of the Titanic, ABC surely could have set aside one Sunday -- where they usually air America's Funniest Home Videos, Once Upon a Time and GCB -- and given Titanic a one night blow-out from 7pm - 11pm.  Splitting the event over two nights, with an abandoned one hour conclusion all by itself on Sunday, stuck behind a repeat of OUaT, no less, was truly a scheduling snafu not befitting the awesome reputation of Titanic.  In any case, if Titanic failed only one night would have been at stake; as it was ABC sunk two of their nights and blew a class production at the same time.  In the U.S. we are used to stunt programming and this one begged to be stunted in a big way. (In Britain it ran -- from what I've been able to find -- one hour on two successive weeks then the last two hours on one night.  Also not perfect.  And in Canada it aired once a week for four weeks.  Not good either.)

Some have said that the unique storytelling device -- essentially retelling the tale through different eyes over each hour, finally culminating in the sinking itself and finding out the fate of the various characters we've been introduced to -- is what doomed the show from the start.  That's not much of an excuse; I'm sure a cable network audience would have been able to follow the story just fine. What happened to Titanic, a hundred years after her sinking, is that ABC possibly over-estimated the appeal and thought that viewers would find it on a dreary Saturday then seek it out on the next night to find out the rest of the story.  Or else ABC was throwing it away because they didn't think the usual broadcast network TV audience would want to watch it anyway. 

Can I say that this really belonged on PBS?  Although the four-hours are available right now to watch on ABC's website (but not OnDemand, interestingly), if I were ABC I'd offer a run to PBS.  This Titanic wouldn't exist without Julian Fellowes' huge highbrow success with Downton Abbey, here in the U.S. and all over the world, so PBS deserves a taste of it.  The PBS audience would appreciate Titanic, even if the ABC audience didn't.

Titanic at 100: Maximum Disaster at Sea, Miniseries on TV!

Despite ABC's somewhat weird scheduling of their imported British miniseries Titanic -- three of the four hours air tonight Saturday from 8p - 11pm, then the final part airs tomorrow Sunday at 9pm for one hour, sandwiched between regular programming -- viewers loving both all things Titanic and recent PBS sensation Downton Abbey will be in heaven.  DA's creative force Julian Fellowes is one of the chaps behind this newest version of the Titanic story, and it also features several DA alumni in this multi-point-of-view Rashomon-like retelling of the castastrophic event.  Viewers will meet and experience Titanic's maiden voyage through different passengers' experiences, then in the concluding hour we will see their fates played out before us. 



Eagle-eyed viewers spot some of the creme-de-la-creme of British acting talent throughout the four hours, including familiar faces from The Tudors, Bleak House, the Harry Potter films, and others.  This Titanic might better have played on PBS, and surely they could have done a less messy job with the programming than splitting the mini up as ABC has done, but many viewers will probably DVR it anyway so no harm done, really.  Still, mustn't grumble!  Here's a selection of promos from various outlets for Titanic:













Titanic isn't a new subject for TV miniseries.  In 1979 ABC made big splash (sorry about that!) with their September start-of-season presentation of S.O.S. Titanic, with David Janssen top-billed in his role as John Jacob Astor.  Perennial TV favorite Cloris Leachman landed the plum role of the raucous Molly Brown, a just post-Alien Ian Holm played Bruce Ismay, plus Susan St. James, David Warner, an early Helen Mirren, and Ed Bishop (from cult favorite series U.F.O.) also co-starred.  There is a new DVD out on this TVM, but it's been severely edited down from the original 140 minute version.

 

In November of 1996 CBS premiered their new two-part Titanic miniseries, a lavish production starring George C. Scott as Captain Smith, Peter Gallagher and Catherine Zeta-Jones as a pair of ill-fated lovers, Roger Rees as Bruce Ismay, Eva Marie Saint as a first class snob, and this time around Marilu Henner stood in for the Denver millionairess Molly Brown.  (The whole movie seems to be available for now on YouTube beginning here.)  You can check out a couple of good trailers for the miniseries on the Titanic Internet Movie Database page, too.

Of course we're looking forward to ABC tonight -- not sure if it will be up OnDemand after the initial airing, so perhaps you need to DVR in case you can't watch in real time -- not because we expect it will show anything particularly new, but because the story of the Titanic is timeless.  Attention must be paid, and TV is the place to do it.

Enjoy!

 

Titanic at 100: The Night Gallery!

 

Though many people assume that there must have been an episode of Rod Serling's Twilight Zone about the Titanic, there never was.  One of the hour TZ episodes had Dana Andrews traveling back in time to prevent various disasters and he ended up on the Lusitania, one of history's other famous sunken ships, but the Titanic never sailed through the Twilight Zone.  However, in Serling's second series The Night Gallery he wrote an episode -- or a segment, each hour contained several stories -- entitled "The Lone Survivor" about a haunted passenger from the doomed Titanic who ends up on...the Lusitania. 

"The Lone Survivor" is John Colicos (left), the great character actor well-remembered as Klingon Commander Kor in the Star Trek TOS episode "Errand of Mercy" and from his role in classic Battlestar Galactica; his performance here is wonderful.  The equally great actor Torin Thatcher -- Star Trek TOS "Return of the Archons" (the one with Landru and the Red Hour) and the wizard in The 7th Voyage of Sinbad -- co-stars as the captain of the Lusitania. 

It's the second segment of the episode; you can forward past the first, unless you want to watch Phyllis Diller in her story, which you might.  She's always fun!



More on Titanic later today!

Titanic's 100th: The Titanic goes "One Step Beyond"!

Although everybody confuses it with either The Twilight Zone, The Outer Limits, Thriller or even Alfred Hitchcock Presents, the neat little half-hour spooker One Step Beyond has its own unique niche in mid-century TV.  Each of its episodes purported to be based on a true story, and after hearing host John Newland (above) set the circumstances before each tale, you believed it!  Also known as Alcoa Presents (for the aluminum company which sponsored the series), One Step Beyond (it ran from 1959 - 1961) served up neat and chilling stories of hauntings, extrasensory perception, strange possession, psychedelic mushrooms, Gef the talking mongoose, Fortean rock falls from the sky, and other assorted anomalies.  Great fun!

The second of its ninety-six episodes dealt with history's favorite downed oceanliner, with a story involving a newlywed's eerie premonitions which turn out to be deadly accurate.  The episode is titled "Night of April 14th" and stars Patrick MacNee (the brilliant Mr. Steed from The Avengers) and Barbara Lord (Patrick "Puddy" Warburton's real-life mother). 

We'll have to talk more about One Step Beyond here at a future date; it's a fascinating collection of interesting acting talent and genuinely unusual stories that has continued to delight audiences for decades.  But for now, settle yourselves back in to January 27, 1959 as One Step Beyond presents a Titanic adventure called "The Night of April 14th".   Enjoy!

More Titanic Adventure for the 100th Anniversary: "The Time Tunnel"

Babyboomers, science fiction fans and TV fans in general lovingly remember the shows of the late great Irwin Allen.  The great foursome of Voyage to the Bottom of the Sea, Lost in Space, Land of the Giants and The Time Tunnel are forever seared into our fevered TV-soaked brains.  From the sublime to the sometimes intentionally ridiculous, Allen's output showed he had a proven touch for creating immensely entertaining action/adventure series, much like Aaron Spelling had the knack for discovering charismatic talent and putting them in precisely the right vehicle, like Charlie's Angels, or Starky and Hutch, or Beverly Hills 90210, to name just a few.

We also loved Irwin Allen because he often inspired us with tantalizing tales from history, especially so in The Time Tunnel which featured a pair of time-traveling scientists careening throughout the mysterious eras of existence.  Where would Dr. Doug Phillips (Robert Colbert) and Dr. Tony Newman (James Darren) turn up next?  King Arthur's Court?  Gettysburg?  The Alamo?  Riding against Genghis Khan?  Dodging the guillotine during the French Revolution?  We could only guess, but Irwin Allen knew that this recipe for excitement was a sure thing.  He chose for his pilot episode a plot revolving around one of modern history's most enduring mysteries, the sinking of the Titanic.  Hard to believe, perhaps, that at the time of The Time Tunnel premiere in September 1966 we were only a little past the 50th anniversary of the sinking, and now we are observing the 100th. Time flies when you are the most dramatic maritime disaster of the 20th Century, occuring only 12 years into the century but never being topped in terms of sheer emotional appeal. 

And so we are pleased to be able to offer The Time Tunnel pilot episode "Rendezvous with Destiny".  Adding to the luster of this episode is the presence of acting great Michael Rennie (seen above) as Captain Smith, the lovely British actress Susan Hampshire as a passenger, and back in the lab, Gary Merrill as a Senator.  Series regulars Whit Bissell, Lee Meriwether also star.  Enjoy!




More Titanic posts coming up!